A review was released in June 2013 by Hadopi from on the web questionnaires on the day-to-day use of contributors in dematerialized cultural property: songs, videos, series, online video video games, electronic textbooks. The results of this study display that streaming has become the main resource of intake of cultural goods.
In common, the outcomes emphasize the relevance of streaming, practiced by eighty four% of consumers (towards only 49% for the download). Audio is by significantly the most consumed cultural property (in excess of 23 titles for every week per client, far more than sixty,000 titles). Films, collection, publications and video clip video games are consumed in comparable proportions between them: among two.4 and 5.7 residence for every week per customer. Textbooks and movie online games depict a a lot more secluded intake practiced by significantly fewer consumers. Total, it really is free of charge usage which imposes substantially.For songs, ninety two% of Internet users surveyed for this review by Hadopi say they went on a respectable site or / and labeled (YouTube, Deezer, Spotify, Dailymotion). To view the collection, the Web customers surveyed also cited legal platforms like M6Replay French (13%) and Pluzz / France Tv set replay (13%). For streaming films, YouTube (eighteen%) holds the rope again, followed by Canal + (seven%).
Below the streaming of textbooks, Amazon is nevertheless a key player in the sector with the Kindle and its unlimited subscription offer.The explosion in the use of platforms offering streaming leads to a significant improve in traffic on the networks of operators and could guide to risks of saturation for mobile broadband networks.
On 21 Might 2015 the Minister of Society, Fleur Pellerin, confided a mediation mission to Marc Schwartz, with the intention of obtaining frequent ground among the platforms of music streaming (Spotify, Deezer ...) and the innovative business, especially concerning the sharing of price.